ABOUT THE AUTHOR

Marc Vincenz is Swiss-British and was born in Hong Kong during the height of the Cultural Revolution. His recent books include Upholding Half the Sky; The Propaganda Factory, or Speaking of Trees; and Pull of the Gravitons (forthcoming). He lives in Iceland where he works as a journalist, poet, translator, and book designer. Other publications include The Potomac, Spillway, Poetry Salzburg Review, Atticus Review, Inertia and Pirene’s Fountain. His poetry has been nominated for the Pushcart Prize.

Wolfboy

By Mark Vincenz


at the Oxford Medical Convention 1851 

And here you meet yourself again reflected in the golden amber,  trapped like an extinct insect, inside the round ball of her eye.    

—Rainer Maria Rilke, “Schwarze Katze”

 

 This wild child.  This freak of nature.

This pacing boy who sheers and grunts has decadence

only for water and the sunrise. 

 

He abhors the pipe-smoke of mansions,

the comforts of carpets and papered interiors.

Surely he is part of the great animal continuum. 

 

Note the raised forehead, the elongated ears.

The wide nostrils.  And where is his need for geometry?

for lines and symmetry?  His hope for utopia? 

 

And Gentlemen, observe the lack of a symbolic imagination.

He hardly knows how to hold a pen.

And paint?  He rather eats it— 

 

possibly due to the nutrients he is lacking

from his sedentary diet of dirt and twigs and wild berries.

Where we meet nature with the edges of our tools 

 

he embraces it, rubbing himself in mud and leaves,

twittering quite happily like the birds.

And we have found, just like the dog to his bone, 

 

he hides all his decomposing possessions in the ground,

possibly for the chance to dig them up and admire them again later.

And he is quite colour blind, unable to distinguish 

 

the fleeting from matters of irrefutable consequence.

Here, Gentlemen: let me present to you the living worm

plucked from our dusty book of nature.

 

 



Published December 2011